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dc.contributor.authorLázaro Lafuente, Luis Alberto 
dc.date.accessioned2010-10-08T08:51:04Z
dc.date.available2010-10-08T08:51:04Z
dc.date.issued1999
dc.identifier.bibliographicCitationEstudios de Filología Moderna. 1999, vol. 1, p. 197-213en_US
dc.identifier.urihttp://hdl.handle.net/10017/6894
dc.description.abstractIt is not easy to discern exactly what types of satiric writings existed in the Middle Ages. Since they were usually profane and oral, most of them are lost and only some examples remain preserved to this day in a few manuscript: This article traces the development of a wide range of satiric forms in medieval English literature, including proverbs, goliardic poems, sirventes, fables, fabliaux, popular songs, ballads, flytings, mystery plays and interludes, to show how the satiric spirit of this period is, to a large extent, the product of an oral culture, rather than an extension of the classical tradition of Lucilian, Horace or Juvenal. Aithough Jolm de Hauteville's Architrenius and Nigel Wireker's Speculum Stultorum stand as representative of a more erudite formal verse satire, what prevails in medieval Britain is the lively personal invective, the orally transmitted story and the incisive popular song, in which church, women and politics are the main targets.en_US
dc.format.mimetypeapplication/pdfen
dc.language.isospaen_US
dc.subjectSátiraen_US
dc.subjectLiteratura inglesa medievalen_US
dc.subjectTradición oralen_US
dc.titleLa tradición oral en la sátira inglesa medievalen_US
dc.typeinfo:eu-repo/semantics/articleen
dc.subject.ecienciaFilología
dc.subject.ecienciaFilología inglesa
dc.subject.ecienciaPhilology
dc.subject.ecienciaEnglish philology
dc.contributor.affiliationUniversidad de Alcalá. Departamento de Filología Moderna. Área de Filología Inglesaes_ES
dc.rights.accessRightsinfo:eu-repo/semantics/openAccessen


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