The Bauhaus women architects: Dicker, Meyer-Waldeck and Wilke
Authors
Hervás y Heras, JoseniaPublisher
Docomomo International
Tirant Lo Blanch
Date
2022-09-06Bibliographic citation
Hervás y Heras, J. (2022) “The Bauhaus Women Architects: Dicker, Meyer-Waldeck and Wilke”. In:
Jordá Such, C., Palomares Figueres, M., Tostoes, A. & Pottgiesser, U. (eds.) Modern design: social commitment & quality of life: proceedings. Valencia: Docomomo International, Tirant lo Blanch. ISBN 978-84-19286-59-8. pp. 720-727
Keywords
Bauhaus
Women architects
Document type
info:eu-repo/semantics/bookPart
Version
info:eu-repo/semantics/publishedVersion
Rights
Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
Access rights
info:eu-repo/semantics/openAccess
Abstract
Unity in diversity, the motto used by Walter Gropius, the founder of the Bauhaus, is not
just a title; it is a sequence of time. As the final goal of the Bauhaus was Architecture, the complete work of art where all disciplines are involved, the School, without a
female presence, would have been born castrated, it would not have been the Bauhaus.
The interweaving of a variety of youthful talents working to make a better world was
and always will be an appeal to future generations. Youth with different political ideas,
different religions, different places of origin all came together at the Bauhaus, where
women, first timidly and gradually more actively, managed to position themselves, and
eventually become architects, as was the case of Friedl Dicker, Wera Meyer-Waldeck
and Annemarie Wilke.
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bauhaus_hervas_modern_2022.pdf | 358.0Kb |
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