Writing the grotesque body in Jesmyn Ward’s "Salvage the Bones"
Autores
Psilopoulou, KaterinaFecha de publicación
2021Cita bibliográfica
REDEN: revista española de estudios norteamericanos, n.3 (2021), pp. 65-78, ISSN 2695-4168
Palabras clave
African American Gothic
Jesmyn Ward
Southern Gothic
Hurricane Katrina
grotesque
Tipo de documento
info:eu-repo/semantics/article
Derechos
Attribution-NonCommercial-NoDerivatives 4.0 Internacional
Derechos de acceso
info:eu-repo/semantics/openAccess
Resumen
In her work, Jesmyn Ward has revitalized the Southern Gothic tradition and its tropes to better reflect the realities of Black American life in the 21st century. This essay explores the reconfiguration of the grotesque body in Ward's sophomore novel, Salvage the Bones, which follows an impoverished Black family in Mississippi in the days leading up to Hurricane Katrina. In contrast to her literary predecessors, Ward defines the grotesque as a state of debility imposed on Black bodies and then deemed uniquely problematic to them as a class and race, rather than the result of centuries of structural oppression. As such, she understands the trope as encompassing far more than bodily or intellectual difference, the way in which it was previously utilized by Southern writers like William Faulkner and Carson McCullers. Instead, Ward theorizes the grotesque as a biopolitical state, in which populations that do not conform to the status quo, and specifically the dominant capitalist mode of production and consumption, are driven to the margins and their lives deemed expendable.
Ficheros en el ítem
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writing_psilopoulou_REDEN2.pdf | 320.8Kb |
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writing_psilopoulou_REDEN2.pdf | 320.8Kb |
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