La temporalidad bergsoniana en las estéticas del tiempo de Antonio Machado y James Joyce
Autores
Morales Ladrón, María SoledadFecha de publicación
2004Cita bibliográfica
Bells, 2004, n. 13, p. 1-12
Tipo de documento
info:eu-repo/semantics/article
Versión
info:eu-repo/semantics/publishedVersion
Derechos
(c) Universitat de Barcelona
Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
Derechos de acceso
info:eu-repo/semantics/openAccess
Resumen
In his "Lecture's preliminaries" to join the Royal Academy of the Spanish language, Antonio Machado described the works of Marcel Proust and James Joyce as poems of memory and perception. On further occasions Machado
commented on Proust's literary production and on his connection with Henri
Bergson's philosophy, although he disregarded Joyce in the belief that his oeuvre
was "a dead end, a cul-de-sac of lyric solipsism". Bearing these particulars in
mind, the present discussion attempts to explore, on the one hand, Machado's
position with respect to what the Spanish philosopher José Ortega y Gasset had
termed "the dehumanisation of art", of which Joyce was a clear exponent; and, on
the other, to connect the influence of Bergson on Machado and Joyce's aesthetics
of time, whose respective works can be interpreted applying such concepts as
duration, flow, involuntary memory or intuition.
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