RT info:eu-repo/semantics/article
T1 Guillermo del Toro’s political fairy tales
A1 Abele, Elizabeth
K1 Fairy tale
K1 Gothic
K1 masculinity
K1 race
K1 disability
K1 queerness
K1 Humanidades
K1 Humanities
K1 Ciencias Sociales
K1 Social Sciences
AB While critical attention has largely focused on Del Toro’s overt fairy tale Pan’s Labyrinth (2006), Del Toro’s Hollywood films similarly incorporate the mythic, moral, and gothic qualities of classic fairy tales. His new fairy tales present vital contemporary lessons embedded in these archetypal journeys— and their audience’s memories. His free borrowings from fairy tales and popular culture deliberately connect the familiar to his uncanny worlds. This construction is most evident in his films Hellboy II: The Golden Army (2008) and The Shape of Water (2017). The contemporary politics of race, sexuality, gender, and environmentalism are embedded within these original Hollywood fairy tales. This essay focuses on the intersecting political messages woven into Hellboy II: The Golden Army and The Shape of Water, messages amplified not obscured by their fairy tale delivery. Through rich textual references, intersections, and hidden subtexts, Del Toro creates new gothic fairy tales, with original protagonists, emerging from the margins. By resisting previous patriarchal and racial boundaries, these films challenge their audiences to embrace new paradigms.
SN 2695-4168
YR 2021
FD 2021
LK http://hdl.handle.net/10017/50457
UL http://hdl.handle.net/10017/50457
LA spa
DS MINDS@UW
RD 20-abr-2024