RT info:eu-repo/semantics/article
T1 Pensamiento y práctica transfronterizos
A1 Radlwimmer, Romana
K1 Transborder
K1 Anzalduan theory processes
K1 Chicana and Latina conceptual practices
K1 Film
K1 Literature
K1 Music
K1 Arts
K1 Transfrontera
K1 Procesos teóricos anzalduescos
K1 Prácticas conceptuales de chicanas y latinas estadounidenses
K1 Artes fílmicas
K1 Artes musicales
K1 Artes literarias
K1 Arte
K1 Art
K1 Historia
K1 History
K1 Literatura
K1 Literature
K1 Sociología
K1 Sociology
K1 Filología
K1 Philology
AB After thirty years, Gloria Anzaldúas theory keeps moving artistic, political andacademic communities. Out of my own practice of reading and rereading "Borderlands",and observing its impact in different discursive cirumstances, I have come to understandthat the text´s immediate and lasting success lies in its quality to touch, to disrupt, tostir up, and to move. In this essay, I will discuss how Anzaldúa´s border thought haschanged since her first publications in the 1980s and her last texts, written shortlybefore her passing in 2004. Furthermore, I shall sound out how different practices haveinterpreted Anzaldúa´s theory, contributing to and reinforcing transborder thinking indiverse media and formats. Two Chicana artists dealing with (crossings of) borders inspecific and metaphoric ways are the filmmaker Lourdes Portillo and the writer NormaElia Cantú; two Latina artists conceiving borders materially and symbolically are thesinger Lourdes Pérez and the painter Liliana Wilson.
PB Instituto Franklin de Investigación en Estudios Norteamericanos, Universidad de Alcalá
SN 1889-5611
YR 2018
FD 2018
LK http://hdl.handle.net/10017/33866
UL http://hdl.handle.net/10017/33866
LA spa
DS MINDS@UW
RD 30-abr-2024