RT info:eu-repo/semantics/article T1 Posthuman “Meta(l)morphoses” in Jeanette Winterson’s "The Stone Gods" T2 "Meta(l)morfosis" posthumanas en "The Stone Gods" de Jeanette Winterson A1 Yazgünoğlu, Kerim Can K1 Jeanette Winterson K1 The Stone Gods K1 Posthumanism K1 Trans-corporeality K1 Material agency K1 Naturecultures K1 Posthumanismo K1 Trans-corporalidad K1 Agencia material K1 Naturaculturas K1 Literatura K1 Literature K1 Medio ambiente K1 Environmental science AB Jeanette Winterson’s “The Stone Gods” (2007) pictures a futuristic world in which every body is technologically, discursively, and materially constructed. First of all, "The Stone Gods" foregrounds the futuristic conceptualization of embodiment and posthuman gendered bodies in relation to biotechnology, biogenetics, and robotics, interrogating contemporary dimensions of the interface between the human and the machine, nature and culture.Secondly, the novel focuses on environmental concerns relevant to our present age. More specifically, however, drawing our attention to posthuman toxic bodies in terms of “trans-corporeality,” as suggested by Stacy Alaimo, “The Stone Gods” is an invaluable literary means to speculate on our “posthuman predicament,” in Rosi Braidotti’s words, and global ecological imperilment. In “The Stone Gods”, Winterson provides not only a warning against the dehumanization of the human in the process of posthumanization, but also a salient picture of posthuman trans-corporeal subjects through a discussion of the beneficial and deleterious effects of biotechnology and machines on human-nonhuman “naturecultures.” On this view, looking at both human and nonhuman bodies througha trans-corporeal lens would contribute to an understanding of how material-discursive structures can profoundly transform human-nonhuman life on Earth. PB Universidad de Alcalá SN 2171-9594 YR 2016 FD 2016-04 LK http://hdl.handle.net/10017/25558 UL http://hdl.handle.net/10017/25558 LA eng DS MINDS@UW RD 24-abr-2024