RT info:eu-repo/semantics/article
T1 Sardinia: the “Greatest Poem” and its Maritime Face
A1 Lollini, Massimo
K1 Ecocriticism
K1 Landscape
K1 More than human humanism
K1 Grazia Deledda
K1 Salvatore Satta
K1 Alberto Capitta
K1 Giulia Clarkson
K1 Marcello Fois
K1 Giambattista Vico
K1 Gilles Deluze
K1 Félix Guattari
K1 Ecocrítica
K1 Paisaje
K1 Humanismo más que humano
K1 Literatura
K1 Literature
K1 Medio ambiente
K1 Environmental science
AB The Mediterranean Sea contributes to the vital rediscovery of meaning advocated by Giambattista Vico’s poetic geography and Sardinian writers search for roots by interjecting a sense of movement in the otherwise immobile Sardinian landscape. First, we see this feature at work in Grazia Deledda’s Cosima and Salvatore Satta’s Il giorno del giudizio. In their novels the movement of the landscape still concretizes in what Deleuze and Guattari call “faciality” (visageité). This characteristic tends to vanish in the writers of the younger generations. In Alberto Capitta’s Creaturine, Giulia Clarkson’s La città d’acqua and Marcello Fois’s Nel tempo di mezzo the “faciality” of the landscape tends to disappear, wrecked by violent history or submerged in a sort of Heraclitean flow of things. Finally, in Giulio Angioni’s Il mare intorno the sea recovers its double and contradictory nature of agent of both isolation and communication.
PB Universidad de Alcalá
SN 2171-9594
YR 2013
FD 2013-10
LK http://hdl.handle.net/10017/20305
UL http://hdl.handle.net/10017/20305
LA eng
DS MINDS@UW
RD 02-may-2024