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dc.contributor.authorMérida Jiménez, Rafael M.
dc.date.accessioned2011-01-11T11:54:27Z
dc.date.available2011-01-11T11:54:27Z
dc.date.issued1997
dc.identifier.bibliographicCitationSigno: revista de historia de la cultura escrita, 1997, n.4, p. 107-116. ISSN 1134-1165en_US
dc.identifier.urihttp://hdl.handle.net/10017/7517
dc.descriptionActas del II Congreso de Historia de la Cultura Escrita. Escritura e Imagen.en_US
dc.description.abstractIn 1987, the Cervantine iconography was embellished with an edition of Don Quijote drawn by Antonio Saura. This original recreation made by a contemporary artist dealing with the relationship between images and writing, has been considered a model of reading of this universal classic work. The paper analyzes the characteristics of the work and explores the meanings of the intervention developed by this Aragonese painter
dc.description.abstractEn 1987, l'iconographie cervantine fut enrichie par l'édition du Quijote illustrée par Antonio Saura. Cette nouvelle édition origínale de l'un des artistes contemporains s'intéressant au rapport entre Timage et l'écriture, est devenue un modele de lecture moderne d'un classique universel. L'article analyse les caractéristiques du travail, et essaie de saisir les significations du travail du peintre aragonais
dc.format.mimetypeapplication/pdfen
dc.language.isospaen_US
dc.publisherUniversidad de Alcalá. Servicio de Publicacionesen_US
dc.titleLa proliferación de espejos : Don Quijote y Antonio Sauraen_US
dc.typeinfo:eu-repo/semantics/articleen
dc.subject.ecienciaCIENCIAS SOCIALES
dc.subject.ecienciaSOCIAL SCIENCES
dc.subject.ecienciaBiblioteconomía y documentación
dc.subject.ecienciaLibrary science and documentation
dc.subject.ecienciaHUMANIDADES
dc.subject.ecienciaHUMANITIES
dc.subject.ecienciaHistoria
dc.subject.ecienciaHistory
dc.rights.accessRightsinfo:eu-repo/semantics/openAccessen


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