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dc.contributor.authorOrrù, Marica
dc.date.accessioned2022-01-26T15:14:13Z
dc.date.available2022-01-26T15:14:13Z
dc.date.issued2021
dc.identifier.bibliographicCitationREDEN: revista de estudios norteamericanos, n.3 (2021), pp. 109-124, ISSN 2695-4168es_ES
dc.identifier.issn2695-4168
dc.identifier.urihttp://hdl.handle.net/10017/50466
dc.description.abstractWhen talking about manga, we are typically referring to Japanese comics. The term is often mistaken and used interchangeably with the word anime, which contrarily to the written comics refers to the animated adaptations of Manga or to original animation products. Since 1970, Japanese Manga and Anime have experienced an unprecedented popularity, introducing an innovative way of telling stories and portraying reality eventually absorbed into our Western culture. This article examines the animated series adaptation of Kohei Horikoshi's Boku No Hero Akademia, paying particular attention to one of the main characters: All Might.en
dc.format.mimetypeapplication/pdfen
dc.language.isospaen
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectMangaen
dc.subjectanimeen
dc.subjectBNHAen
dc.subjectAmerican cultureen
dc.subjectJapanese cultureen
dc.subjectadaptationen
dc.titleAmerican influence and representation in Japanese manga and anime: BNHA's All Mighten
dc.typeinfo:eu-repo/semantics/articleen
dc.subject.ecienciaHumanidadeses_ES
dc.subject.ecienciaHumanitiesen
dc.subject.ecienciaCiencias Socialeses_ES
dc.subject.ecienciaSocial Sciencesen
dc.rights.accessRightsinfo:eu-repo/semantics/openAccessen
dc.identifier.publicationtitleREDEN: revista española de estudios norteamericanoses_ES
dc.identifier.publicationlastpage124
dc.identifier.publicationissue3
dc.identifier.publicationfirstpage109


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Attribution-NonCommercial-NoDerivatives 4.0 Internacional
Este ítem está sujeto a una licencia Creative Commons.