An unpublished legacy of Antonio Rubio Marín (1884-1980), an architect between Aragon and Madrid
Identifiers
Permanent link (URI): http://hdl.handle.net/10017/50040DOI: 10.1007/978-3-030-47983-1_19
ISBN: 978-3-030-47983-1
Publisher
Springer
Date
2020-06-04Embargo end date
2022-05-31Bibliographic citation
Castaño Perea E., García-Rosales González-Fierro, G., Martín Díaz, M. (2020) An unpublished legacy of Antonio Rubio Marín (1884-1980), an
architect between Aragon and Madrid. In: Agustín-Hernández L., Vallespín Muniesa A., Fernández-Morales A. (eds) Graphical Heritage. EGA 2020.
Springer Series in Design and Innovation, vol 6. Springer, Cham. ISBN 978-0-030-47983-1 pp. 208-215
Keywords
Unpublished legacy
Antonio Rubio
COAM
Description / Notes
Este documento se considera que es un capítulo de libro en lugar de un congreso
Document type
info:eu-repo/semantics/bookPart
Version
info:eu-repo/semantics/acceptedVersion
Rights
Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
(c) 2020 Springer Nature Switzerland AG
Access rights
info:eu-repo/semantics/openAccess
Abstract
An unpublished legacy of the architect Antonio Rubio Marín has been found in the library of the University of Alcalá. He was an important an architect of the first half of the twentieth century in Madrid and Aragon, being responsible in Zaragoza for the Post Office building and the Grand Hotel.
Still in a state of certain abandonment, the legacy has great interest for its documentary quality, being a fairly complete set of the activity of an architect of the early twentieth century. Antonio Rubio combined other notable merits, such as his training as a mathematician and cartographer, or his work as dean of the College of Architects of Madrid between 1948 and 1954.
The inventory and cataloging process of the material found by researchers from the School of Architecture of the University of Alcala is currently being carried out, with the collaboration of his family and those responsible for the archiving of the same University.
The legacy contains an important variety of drawings of different types. Most of them are freehand drawings in ink, in different formats and supports, high-lighting large format ones using watercolors. These drawings are of great inter-est as they are a project commissioned by the city of Zaragoza in which the proposal included the square and the Basílica del Pilar. All these documents show the work of a not very well known architect, but of undoubted value through his interesting drawings.
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