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dc.contributor.authorSánchez-Pardo González, Esther
dc.date.accessioned2009-11-18T10:37:26Z
dc.date.available2009-11-18T10:37:26Z
dc.date.issued1995
dc.identifier.bibliographicCitationREDEN : revista española de estudios norteamericanos, 1995, n. 9, p. [17]-35. ISSN 1131-9674en_US
dc.identifier.urihttp://hdl.handle.net/10017/4920
dc.description.abstractBarthelme's portrait of the fictional father provides a cryptic caricature that oscillates between profoundity and nonsense. Through a psychoanalytic reading of the Dead Father (1975), starting from Freud and drawing from Lacan, I reflect upon the fictional representation of the process of internalizing symbolic authority as conscience in postmodem textuality. This allows us to question father structures in fiction, the issue of literary paternity and even our problematic access to the realm of the Symbolic. This paper is in many ways intended as a reflection on Barthelme's novel and on Roland Barthes' affirmation that every narrative "is staging of the (absent, hidden or hypostatized) father".en_US
dc.format.mimetypeapplication/pdfen
dc.language.isospaen_US
dc.publisherUniversidad de Alcalá de Henares. Servicio de Publicacionesen_US
dc.titleThe Dead Father : retrato del padre en la postmodernidaden_US
dc.typeinfo:eu-repo/semantics/articleen
dc.subject.ecienciaHistoria de América
dc.subject.ecienciaAmerica-History
dc.subject.ecienciaFilología
dc.subject.ecienciaPhilology
dc.rights.accessRightsinfo:eu-repo/semantics/openAccessen


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