dc.contributor.author | Sola Buil, Ricardo | |
dc.date.accessioned | 2009-11-18T07:51:55Z | |
dc.date.available | 2009-11-18T07:51:55Z | |
dc.date.issued | 1994 | |
dc.identifier.bibliographicCitation | REDEN : revista española de estudios norteamericanos, 1994, n. 8, p. [17]-28. ISSN 1131-9674 | en_US |
dc.identifier.uri | http://hdl.handle.net/10017/4895 | |
dc.description.abstract | This paper deals with Walt Whitman's poetry in a very non-convential way, and it tries to explore some of his well-known features which place him as the initiator of
a colective poetry. Whitman remains mid-way between "palefaces" and "redskins" and,
in our opinión, he represents a new starting point from which the quest for unity is
essential. For that reason we study in our paper two of the main ideas he develops in
his poetry: the idea of Identification (identity) between the self and the other, and the idea of the visión of the American world, the American soul, as a mass of people on permanent pilgrimage along an inmense green-grass field. We bring to our paper the
medieval dream-vision metaphor because we think that Whitman has this medieval
visionary tone; on the other hand we quote Federico García Lorca's "Oda a Walt
Whitman" for the Spanish poet sees in Whitman that deep concern with humanity. | en_US |
dc.format.mimetype | application/pdf | en |
dc.language.iso | spa | en_US |
dc.publisher | Universidad de Alcalá de Henares. Servicio de Publicaciones | en_US |
dc.title | Hudson : The East River | en_US |
dc.type | info:eu-repo/semantics/article | en |
dc.subject.eciencia | Historia de América | |
dc.subject.eciencia | America-History | |
dc.subject.eciencia | Filología | |
dc.subject.eciencia | Philology | |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | en |