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dc.contributor.authorSola Buil, Ricardo
dc.date.accessioned2009-11-18T07:51:55Z
dc.date.available2009-11-18T07:51:55Z
dc.date.issued1994
dc.identifier.bibliographicCitationREDEN : revista española de estudios norteamericanos, 1994, n. 8, p. [17]-28. ISSN 1131-9674en_US
dc.identifier.urihttp://hdl.handle.net/10017/4895
dc.description.abstractThis paper deals with Walt Whitman's poetry in a very non-convential way, and it tries to explore some of his well-known features which place him as the initiator of a colective poetry. Whitman remains mid-way between "palefaces" and "redskins" and, in our opinión, he represents a new starting point from which the quest for unity is essential. For that reason we study in our paper two of the main ideas he develops in his poetry: the idea of Identification (identity) between the self and the other, and the idea of the visión of the American world, the American soul, as a mass of people on permanent pilgrimage along an inmense green-grass field. We bring to our paper the medieval dream-vision metaphor because we think that Whitman has this medieval visionary tone; on the other hand we quote Federico García Lorca's "Oda a Walt Whitman" for the Spanish poet sees in Whitman that deep concern with humanity.en_US
dc.format.mimetypeapplication/pdfen
dc.language.isospaen_US
dc.publisherUniversidad de Alcalá de Henares. Servicio de Publicacionesen_US
dc.titleHudson : The East Riveren_US
dc.typeinfo:eu-repo/semantics/articleen
dc.subject.ecienciaHistoria de América
dc.subject.ecienciaAmerica-History
dc.subject.ecienciaFilología
dc.subject.ecienciaPhilology
dc.rights.accessRightsinfo:eu-repo/semantics/openAccessen


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