La temporalidad bergsoniana en las estéticas del tiempo de Antonio Machado y James Joyce
Authors
Morales Ladrón, María SoledadDate
2004Bibliographic citation
Bells, 2004, n. 13, p. 1-12
Document type
info:eu-repo/semantics/article
Version
info:eu-repo/semantics/publishedVersion
Rights
(c) Universitat de Barcelona
Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
Access rights
info:eu-repo/semantics/openAccess
Abstract
In his "Lecture's preliminaries" to join the Royal Academy of the Spanish language, Antonio Machado described the works of Marcel Proust and James Joyce as poems of memory and perception. On further occasions Machado
commented on Proust's literary production and on his connection with Henri
Bergson's philosophy, although he disregarded Joyce in the belief that his oeuvre
was "a dead end, a cul-de-sac of lyric solipsism". Bearing these particulars in
mind, the present discussion attempts to explore, on the one hand, Machado's
position with respect to what the Spanish philosopher José Ortega y Gasset had
termed "the dehumanisation of art", of which Joyce was a clear exponent; and, on
the other, to connect the influence of Bergson on Machado and Joyce's aesthetics
of time, whose respective works can be interpreted applying such concepts as
duration, flow, involuntary memory or intuition.
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