HISTORIA1 - LibrosHISTORIA1 - Libroshttp://hdl.handle.net/10017/492112024-03-29T01:22:46Z2024-03-29T01:22:46ZGritos de papel. Las cartas de súplica del exilio español (1936-1945)Adámez Castro, Guadalupehttp://hdl.handle.net/10017/603992024-02-06T01:17:39Z2017-04-25T00:00:00ZGritos de papel. Las cartas de súplica del exilio español (1936-1945)
Adámez Castro, Guadalupe
2017-04-25T00:00:00ZGloria Anzaldúa: poscolonialidad y feminismoPalacio Avendaño, Marthahttp://hdl.handle.net/10017/603072024-02-03T01:18:30Z2020-01-01T00:00:00ZGloria Anzaldúa: poscolonialidad y feminismo
Palacio Avendaño, Martha
2020-01-01T00:00:00ZMediterranean Landscapes in Post Antiquity: New frontiers and new perspectiveshttp://hdl.handle.net/10017/598382024-01-25T01:16:57Z2019-01-01T00:00:00ZMediterranean Landscapes in Post Antiquity: New frontiers and new perspectives
Gelichi, Sauro; Olmo Enciso, Lauro
2019-01-01T00:00:00ZLa cueva de Tito Bustillo. Ribadesella. AsturiasBalbín Behrmann, Rodrigo deAlcolea González, José JavierAlcaraz Castaño, ManuelBueno Ramírez, Primitivahttp://hdl.handle.net/10017/589702023-12-19T01:18:31Z2022-01-01T00:00:00ZLa cueva de Tito Bustillo. Ribadesella. Asturias
Balbín Behrmann, Rodrigo de; Alcolea González, José Javier; Alcaraz Castaño, Manuel; Bueno Ramírez, Primitiva
The Tito Bustillo cave is the centre of a complex made
up of at least twelve caves, six of which contain remains of wall decoration. Many of them were already
known, but our cave was discovered in 1968 by the Torreblanca speleological group, of which Celestino Fernández Bustillo, Tito Bustillo, was a member for whom the
cave is named.
The excavations, started by M. A. García Guinea in
1970, were carried out in the Main Gallery or Decoration
Area, and in the old entrance, or the Stay Area. J. Alfonso
Moure Romanillo continued them from 1972 to 1988.
In 1974, the artistic documentation began, under the direction of Rodrigo de Balbín Behrmann and J. A. Moure
Romanillo, and lasted until 1981. Since 1998, we have
resumed excavations in the Hall of the old entrance, in
the Area of Stay, at some distance from the excavations of
A. Moure, and in the Ensemble V, inside the Gallery of
the Anthropomorphs. In this second moment, we prospected the whole Massif, and we probed La Cuevona and
La Lloseta. This stage was directed by Rodrigo de Balbín
Behrmann and J. Javier Alcolea González until 2007.
Our intention from 1998 was to integrate Tito
Bustillo into the Ardines massif, and to examine all the
occupied caves together, to get an idea of the whole. To
do this, we prospected in the following caves:
La Lloseta, La Cuevona, Les Pedroses, El Cierru,
Cova Rosa, Cueva de Pandu, Cueva de San Antonio,
Cueva del Tenis o La Viesca, Cuevas de Los Fornos y El
Cuetu, Cueva del Cuetu de La Hoz, Cueva del Fresnu,
Cueva del Requexau, Cantera de Corcubión.
2022-01-01T00:00:00Z