%0 Journal Article 
%A Radlwimmer, Romana
%T Pensamiento y práctica transfronterizos
%D 2018
%@ 1889-5611
%U http://hdl.handle.net/10017/33866
%X After thirty years, Gloria Anzaldúas theory keeps moving artistic, political and
academic communities. Out of my own practice of reading and rereading "Borderlands",
and observing its impact in different discursive cirumstances, I have come to understand
that the text´s immediate and lasting success lies in its quality to touch, to disrupt, to
stir up, and to move. In this essay, I will discuss how Anzaldúa´s border thought has
changed since her first publications in the 1980s and her last texts, written shortly
before her passing in 2004. Furthermore, I shall sound out how different practices have
interpreted Anzaldúa´s theory, contributing to and reinforcing transborder thinking in
diverse media and formats. Two Chicana artists dealing with (crossings of) borders in
specific and metaphoric ways are the filmmaker Lourdes Portillo and the writer Norma
Elia Cantú; two Latina artists conceiving borders materially and symbolically are the
singer Lourdes Pérez and the painter Liliana Wilson.

%K Transborder
%K Anzalduan theory processes
%K Chicana and Latina conceptual practices
%K Film
%K Literature
%K Music
%K Arts
%K Transfrontera
%K Procesos teóricos anzalduescos
%K Prácticas conceptuales de chicanas y latinas estadounidenses
%K Artes fílmicas
%K Artes musicales
%K Artes literarias
%K Arte
%K Art
%K Historia
%K History
%K Literatura
%K Literature
%K Sociología
%K Sociology
%K Filología
%K Philology
%~ Biblioteca Universidad de Alcala