%0 Journal Article 
%A Sheng-Mei, Ma
%T Sino-Anglo-Euro wolf fan(g)s from Jiang Rong to Annaud

%D 2016
%@ 2171-9594
%U http://hdl.handle.net/10017/25239
%X Fans of Jiang Rong’s "Wolf Totem" could arguably shapeshift into a wolf’s fangs, the sharp tips of China’s Social Darwinism today. Jiang mourns the killing of Mongolian wolves, erecting a literary
totem there after wolves are gone. An elegy for the wild comes to justify the growing of fangs amid the jungle of the socialist-capitalist market. Wolf totem becomes a phallic symbol for power. A SinoAnglo-Euro morphing materializes in global cinema as Annaud transforms the novel into "The Last Wolf". Annaud’s romantic film downplays Jiang’s nationalistic tenor, avoiding to bare “red [in] tooth and claw” to the world.

%K Jiang Rong
%K Wolf Totem
%K Jean-Jacques Annaud
%K Literatura
%K Literature
%K Medio ambiente
%K Environmental science
%~ Biblioteca Universidad de Alcala